What is the technical side of my performances, and what exactly do I do?
The costumes I wear are often made from materials I already have, or from a specific mesh fabric of a certain color. Color, for me, is a mood, and at the moment, I work with only three colors. In fact, I’ve sewn three simple dresses made from two layers of mesh fabric. The beauty lies in their simplicity: they are easy to move in, and they are quick to make. I enjoy watching the fabric move in slow-motion video; there’s an intriguing effect of semi-transparency. Previously, I spent a lot of time creating costumes that were not always comfortable during my performances. Now, I’m satisfied with the fabric, the design, and how everything flows in movement.
I’ve also developed a technique for capturing and conceptualizing movement within space. I approach movement from multiple angles and in different sessions, creating a small video by cutting and selecting the best parts, then matching it with sound. But live performances are also on my horizon, and for this, I regularly improvise. This keeps me in shape and ensures that I remain in a constant state of creative process.
I am also intrigued by the idea of performing in large spaces, experimenting with a huge veil, playing with color and form in vast indoor or outdoor settings. In the future, I plan to perform in sacred spaces. This idea excites me—the possibility to develop narratives, create images, and fill a temple space with movement and color. I might also create films that combine movement and storylines, offering additional layers of meaning to my exhibitions.
Moreover, I’m interested in interpreting the exhibitions of other artists through dance. This is something I plan to explore in the near future. The venues for my performances will include museums, exhibitions, temples, and open spaces like parks and temple complexes. And, of course, my own performances and exhibitions.
Additionally, I’m thinking about complementing my performances with sound—bells, noise instruments, and possibly string instruments. I want to explore incorporating natural sounds, but with a twist: having the audience participate in creating them.
