I had an exhibition in an unusual place—the Japanese Cemetery—where I showcased artworks exploring myths and cultural symbols. This exhibition centered on the concept of the palimpsest, delving into the intertwining and recurring themes across cultures and eras. It aimed to reveal how forgotten and overlooked stories, like light breaking through centuries, inspire and shape new narratives. These artworks serve as meditations on the ways past and present blend into a continuous flow of meaning and creativity, inviting viewers to reflect on their universal connections.
Among the highlights was The Dragon, which traced the creature’s transformation from a symbol of fear to one of benevolence, and The Tapestry of the Tree of Life, interweaving themes of evolution and religion. Pieces like the Cosmic Egg Canvas and Phoenix Painting reflected creation and renewal, combining universal symbols with my personal journey.
Other works, such as the Dragon Mask with Slavic Roots and the Playful Griffin, bridged diverse cultural traditions. The exhibition also featured The Book, a collection of practice pieces, alongside Mother Goddess – Venus of Willendorf and Three Chickens, which explored cultural narratives and thematic stories.
Originally intended for museums around the world, this exhibition found its home in the serene and reflective atmosphere of the Japanese Cemetery when no museums agreed to display my work. Sharing quiet moments among the morning birds and Buddhist statues, a few visitors engaged with the art in a uniquely tranquil setting.
This collection seeks to inspire and connect, bridging myths, cultural symbols, and personal experiences in a harmonious dialogue.
Curatorial Text Exploring the Palimpsest of Myths and Symbols
